Words Matter.

Victoria Walpole is one of our artist liaisons on the Literature at Work module. This week she has been working with our visiting performers from  the Ivano-Frankivsk Theatre Company in Ukraine. Victoria tells us more.

Saturday 20th April sees the world premiere of Working Title: a collaboration between York International Shakespeare Festival and the National Theatre of Ivano-Frankivsk (UKRAINE) in York St John University’s Creative Centre, at 2pm and 7.30pm This performance promises to be incredibly imaginative and powerful, so you will not want to miss it. The show will feature a blend of Ukrainian and English culture, creating a captivating and unique experience for all.

I hear that, despite the challenges of the Russian invasion of Ukraine, the Ivano-Frankivsk Theatre Company has continued to showcase plays and even created a humanitarian logistics centre called “Movement of Resistance – Movement of Help” to support those displaced by the war and soldiers of the Armed Forces of Ukraine.

The Ivano-Frankivsk Theatre Company has a reputation for producing creative and innovative shows that have established its place in the Ukrainian cultural world, having always been acclaimed for its unprecedented creative “explosions”, highlighting its active artistic position in culture. 

This highly respected theatre company has an exceptional cast of star actors, including Ivan Blindar and Mariia Stopnyk, who have joined us this week on our campus. Ivan and Mariia  have been working closely with the York International Shakespeare Festival to create an original piece of work in collaboration with volunteer actors from and around York. These include Ukrainian performers who are currently living here.

For the past week, the actors have been hard at work in rehearsals, creating and practising pieces to perform on the first weekend of the festival. The pieces they have created combine Shakespeare’s incredible plays with the contemporary. They blend Ukrainian and English culture to create compelling pieces that will astound audiences. Working alongside Ivan and Mariia has been a privilege and a fun experience for all involved. Their love and passion for their work is reflected in their performances, and it has been a pleasure to be alongside them during the creative process. Through the use of imaginative warm-up exercises and sonnet performances, Phillip Parr has been able to direct the creative process to mould a stunning performance that beautifully symbolises the collaboration between the Ivano-Frankivsk theatre and the festival. Part of this process is making sure everyone who volunteered has a voice in what they want to give and take from the final performance.

During the rehearsals, local artist Lynne O’Dowd has been diligently capturing the dedication and momentous efforts of everyone involved through her paintings. These paintings will be part of the final performance, highlighting the creativity and hard work that has gone into bringing this production to life.

This performance promises to be incredibly imaginative and powerful, so you will not want to miss this! Everyone involved has put their heart and soul into creating a beautiful piece to perform, making these performances even more special. Creating a performance in such a short amount of time is a real feat of skill and everyone involved worked incredibly hard to make this possible.

When and where?

The event will be performed on Saturday the 20th of April at 2 pm and 7.30pm in the York St John Creative Centre Auditorium as part of the York International Shakespeare Festival. Tickets are only £15 at full price, with students and concessions only paying £5.

When buying tickets also look out for and consider buying a Pass It On Ticket which we can offer to community members who may not otherwise be able to attend as we want to make it possible for as many members of the community to come to festival performances!

To buy tickets and or more information about the York International Shakespeare Festival you can go to its website.

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Hey there, Shakespeare enthusiasts and creative minds of York! Are you ready to turn your passion for the Bard into a thrilling volunteering experience? The York International Shakespeare Festival is just around the corner, running from the 18th to the 27th of April, and we’ve got some exciting opportunities waiting for you! Whether you’re a die-hard Shakespeare fan or just looking to spice up your C.V., we’ve got a role for everyone.

 

Embrace the Excitement: Become a Festival Volunteer!

Whether you’re interested in ushering, marketing, event organisation, or social media and content creation, there’s a place for you in this exciting journey!

 

Why Volunteer, You Ask?

 

Free Access to Events

Picture this: not only do you get to be part of the magic behind the scenes, but you also get a ticket to some of the festival’s events – for free! As a Festival Volunteer, you’ll have the opportunity to enjoy the fruits of your labour by attending select shows and immersing yourself in the enchanting world of Shakespeare without spending a penny.

 

Festival Program Now Available: http://yorkshakes.co.uk/programme-2024/

 

Boost Your CV and Develop Your Graduate Attributes

 

Being a Festival Volunteer isn’t just about the joy of contributing to a cultural extravaganza; it’s also a fantastic addition to your CV. Employers love to see candidates who have actively participated in community events and taken on responsibilities beyond the classroom. Your volunteering stint will showcase your dedication, teamwork, and ability to take initiative – qualities that stand out in the professional world.

 

How to Get Involved

Fill out this form: https://form.jotform.com/240395509337057 and let the Shakespearean adventure begin! Any questions, contact Skylar at skylar@parrabbola.co.uk

 

Don’t miss this chance to immerse yourself in the world of Shakespeare, make lasting memories, and build a CV that shines as brightly as the stage lights. Become a Festival Volunteer and let the magic unfold!

Let’s celebrate LGBTQ+ History Month!

February is LGBTQ+ History Month!

We are very excited to celebrate and there’s a lot to get hyped about at YSJ:

 

Free Speech and Hate Speech: Analysing ‘anti-gender’ Discourse

7^th February 2024, 4:30-5:30pm, Creative Centre Auditorium

This LGBTQ+ History Month talk focuses on what is commonly referred to as homophobic and transphobic ‘soft hate speech’ which (unlike ‘hard’ hate) operates within the limits of the law and may be perceived as ‘sayable’ in the public sphere. This makes it more difficult to recognize and challenge. This talk is being given by our very own Helen Sauntson (Professor of English Language and Linguistics) and is going to be a must-be-at event. Book your ticket here: https://www.eventbrite.co.uk/e/lgbtqhm-free-speech-and-hate-speech-analysing-anti-gender-discourse-tickets-756706679047?aff=oddtdtcreator

In Conversation with Dom&Ink

Tuesday 13^th February, 6-8pm, Creative Centre Auditorium

Come along and listen to illustrator and author Dom&Ink talk about their work, from illustrating RuPaul’s Drag Race for the BBC to writing their new graphic novel. Dom will be interviewed by Lali from York’s own The Portal Bookshop, and the event will be followed by a book signing and drinks reception. Book your ticket here: https://www.eventbrite.co.uk/e/lgbtqhm-2024-in-conversation-with-domink-tickets-780078825767?aff=oddtdtcreator 

Can you Adam and Eve It? Queering Heterosexuality in Genesis

Wednesday 21^st February, 4-6pm, Creative Centre

Join us at York St John University for this hybrid event to mark LGBT History Month 2024. Hosted by the Centre for Religion in Society, hear Dr Chris Greenough’s talk, ‘Can you Adam and Eve it? Queering Heterosexuality in the Genesis Narrative’, followed by Q+A and a drinks reception. Book your tickets here: https://www.eventbrite.co.uk/e/lgbtqhm-can-you-adam-and-eve-it-queering-heterosexuality-in-genesis-tickets-732646233607?aff=oddtdtcreator

 

On Wednesday 13th March 2-4pm, in the run-up to Transgender Day of Visibility, the LGBTQ+ Staff Network and the Athena Swan Initiative are holding a hybrid event to celebrate trans and non-binary scholarship at York St John University. This will be an informal, supportive space where all members of staff and students who are trans, non-binary, gender-diverse or are creating work related to these communities are encouraged to take part and share their work. Whether you are a first-year undergrad with an essay you’d like to share or a seasoned academic, we want to hear from you!

We welcome our London staff and student scholars to join the event, as hybrid presentations are possible.

This is a supportive space for trans, non-binary or gender-diverse scholars and students to share their work. If you know of anyone (staff or students) at YSJ who would be interested in presenting their work, we want to celebrate your contribution to the YSJ community. For more information, please contact Naomi Orrell at LGBTQPlusStaff@yorksj.ac.uk.

This year’s YSJ Literature’s annual Words Matter Lecture  will be delivered by Dr Liesl King, speaking about ‘Speculations on Embodiment’ . This will take place on Thursday 7th December, starting at 6pm, with a drinks reception at 7pm. 

This year’s lecture will explore ways in which the word ‘embodiment’ has inspired Dr Liesl King’s teaching practice, university projects, and publications. She will consider the representation of embodied living in the fiction of Ursula K. Le Guin, the ‘tertium quid’ in Dr Angela Voss’ approach to classroom teaching, and the concept of ‘sensuous knowledge’ advanced by Minna Salami in her critical work of the same name published in 2020. The presentation will look at three ways in which Liesl, sometimes through hindsight, has drawn on the word ‘embodiment’ to inform her approach to academic practice: her online science fiction magazine, Terra Two: An Ark for Off World Survival, her upcoming co-written guidebook on Speculative Fiction (New Critical Idiom series, Routledge), and her nascent project on the ‘Embodied University’.

For more details and to sign up, please refer to the Eventbrite: https://www.eventbrite.co.uk/e/words–matter-dr-liesl-king-tickets-732688941347?aff=oddtdtcreator

Anna Brizzolara is a student on the YSJ Creative Writing MA who has recently been focussing on Critical Approaches to Creative Writing. This is Anna’s review of Lemn Sissay’s recent poetry reading at Manchester Literature Festival. Sissay’s adaptation of Kafka’s Metamorphosis is coming to York Theatre Royal 10th-14th October 2023.

I wanted tickets to see Zadie Smith.

That’s how I found Lemn Sissay.

He shared the programme for the Manchester Literature Festival alongside Zadie’s sold-out event.

Lemn hosted an evening at ‘Home’. Home, a theatre, gallery, independent film screen and all-round centre of creativity and culture that had a cosy, community feel. It opened in 2015 in the heart of Manchester; relaxed, no fancy wine list, plenty of craft beer and pots of pic ‘n’ mix. Volunteers in printed T-shirts smiled, ushered you along brushed concrete corridors and showed you to your multi-coloured upholstered seats.

I wasn’t sure what to expect. Continue reading “One writer leads you to another – discovering Lemn Sissay’s ‘Let the Light Pour In’ by Anna Brizzolara”

Dr Saffron Vickers Walkling introduces titles to look out for this ESEA Heritage Month and beyond.  Saffron lived and worked in China for five years, and their research area includes late twentieth century Chinese Shakespeare in performance.

September is East and South East Asian Heritage Month. Founded in 2021 by Britain’s East and South East Asian Network (besea.n), it commemorates “those who have contributed positively to British society” and celebrates “the richness of ESEA culture”, says Michelle Chan. 

In alphabetical order, East Asian and South East Asian countries include: Brunei, Burma (Myanmar), Cambodia, China, Hong Kong, Indonesia, Japan, Laos, Macau, Malaysia, Mongolia, North Korea, Singapore, South Korea, Taiwan, Thailand, the Philippines, Timor-Leste, and Vietnam. 

Besea.n say that their “vision is one where our communities are seen and supported in all spaces”. This includes the sold out ESEA Lit Fest at Foyles Bookshop in London, which started on 23rd September 2023.    

Here are some highlights from their Reading List: 

A Lover’s Discourse by Xiaolu Guo tells of a Chinese woman’s life in London, reflecting on the nature of cross-cultural love and language. The title references Roland Barthes’ book of the same name, and its Cantonese film adaptation. Novelist and filmmaker Guo came to YSJ in 2008 as part of our China Week to speak about her debut English-language novel A Concise Chinese-English Dictionary for Lovers, which our first years were studying on their Gender and Writing module. Although not a sequel, A Lover’s Discourse revisits and reframes many of the tropes of the earlier book. Her film She, A Chinese is also currently showing on Channel 4. 

Night Sky with Exit Wounds is a collection of poetry by the Vietnamese-American writer and academic Ocean Vuong, reflecting on his refugee experience – both its horrors and its wonders.

Vuong’s novel On Earth We Are Briefly Gorgeous sustained us through the long holiday of 2021 as our Big Summer Read. See more here.

 

If you want something that will shock and amuse you in equal measures, check out Yellowface by R. F. Kuang, a hilarious satire on the ultimate in literary cultural appropriation…

This bestseller combines big ideas with humour and is simultaneously thought-provoking and immensely readable! 

 

 

If you’ve never read Kazuo Ishiguro’s Never Let Me Go, then now is the time to remedy this.

A firm A-level favourite for many years, Ishiguro’s novel about a group of young people at an English boarding school quickly reveals the dystopian side of its apparent idyllic setting. 

 

 

If it’s film you are interested in, Channel 4 has a selection for ESEA, including the first ever British Chinese feature film, Ping Pong, which I’ve reviewed here. “Elaine Choi (Sheen), a trainee lawyer tasked with executing the will of local businessman Sam Wong, whose body has been found in a telephone box, receiver still in hand. The trouble is, she can’t read Chinese characters.”

 

 

You can find Film 4’s complete ESEA listings here:

Michael is a second year Creative Writing and Media student at York St John and a volunteer blog reviewer for York International Shakespeare Festival. In this review, Michael looks at Flabbergast Theatre’s production of ‘The Tragedy of Macbeth’ performed in the York St John Creative Centre on the 26th of April 2023. 

Shakespeare gets a bad reputation in my opinion. From the time were born we are told that he was and is the greatest writer that has ever come from this country, that every work he’s ever written is a masterpiece. So we must diligently study his texts and analyse them, we must perform them with the utmost respect for the source material. This leads to a lot of people hating Shakespeare and condemning it as dry or boring or too difficult to understand or… you get the idea. But actually, Shakespeare can be fun. 

I’ve always loved Macbeth, I studied it in high school so it’s one of the few Shakespeare plays I actually know and understand. I’ve always loved Lady Macbeth as a character, the ideas of betrayal and guilt that get explored, the context in which the play itself was written, but I’ve never seen that many performances of it. I watched a few films that played with the setting but not in any way other than superficially and there was a touring group who performed a few fight scenes from it in my school assembly hall which was quite entertaining, but this was the first time I’d seen a full stage production of it and I really enjoyed it. 

The whole thing felt like watching a bunch of kids playing pretend in the muddy parts of some dense woods. It really hit me in the scene where Macbeth kills Duncan, the actors all pulled out small sticks for daggers and it reminded me of running through this forest near the top of the street of my childhood home. I’d brandish my own sticks as swords and duel with my sister or use them as ways of clearing my treacherous path on the long (short) journey it took to walk down to the corner shop to claim my reward (a pick a mix bag usually containing a jelly snake, my favourite). Despite the tragedy of the story, the performers all seemed to be so joyous and enthusiastic about what they were doing, they had the permission to run around, shout and scream just as kids do.

It also brought back these ideas of the roots of storytelling sitting around a fire in the darkness, the primal and animalistic nature that is inherent in performance. At times, the whole show felt like one big ritual, the witches and supernatural being such a strong part of the original play definitely contributed to this but the rhythmic chanting and general atmosphere brought by the performers made it a much more intimate experience. At times it was almost psychedelic, with lights and shadows being cast everywhere, the only thing I think could have made it more intense would have been a fog machine.

The one thing I was anticipating the entire time throughout the show was the Porter’s scene that takes place just after Duncan’s murder. The Porter is there to add levity to the otherwise dark narrative and in my experience often goes overlooked when read or performed because as we all know ‘Shakespeare is a prestigious institution’. But I think a few lewd jokes after a murder has just taken place is quite necessary. I can honestly say that in this performance, the Porter’s scenes were some of my favourite moments. These scenes were the only point at which the script diverged from the original but it still captured the same humour of the source material. It again reminded me of a child, running about making jokes out of nothing and interjecting at inappropriate moments because they don’t know any better. 

So, despite the dark and tragic nature of Macbeth and the play itself I would have to say that this production did indeed make Shakespeare fun.

If you would like to read another review of ‘The Tragedy of Macbeth’, check out Grace Laidler’s piece on the Words Matter Blog: Grace Laidler: Macbeth Review for YISF – Words Matter. (yorksj.ac.uk)