Jenn Ashworth, Evie Wyld, Emma Jane Unsworth
25th March 2015
Three fiction writers read from and talk about their work. Don’t miss this.
Jenn Ashworth’s first novel, A Kind of Intimacy, was published in 2009 and won a Betty Trask Award. On the publication of her second, Cold Light (Sceptre, 2011) she was featured on the BBC’s The Culture Show as one of the UK’s twelve best new writers. Her third novel The Friday Gospels (2013) is published by Sceptre. She lives in Lancashire and teaches Creative Writing at Lancaster University. http://jennashworth.co.uk/
Evie Wyld was born in London and grew up in Australia and South London. She studied creative writing at Bath Spa and Goldsmiths University. Her first novel, After the Fire, a Still Small Voice, won the John Llewellyn Rhys Prize and a Betty Trask Award and was shortlisted for the Orange Prize for New Writers, the Commonwealth Prize and the International IMPAC Dublin literary award. In 2013 she was included on Granta Magazine’s once a decade Best of Young British Novelists list. Her second novel All the Birds, Singing, recently received The European Prize for Literature. It also won the Miles Franklin Award, the Encore Award and the Jerwood Fiction Uncovered Prize, was shortlisted for the Costa Novel Prize, the James Tait Black Prize and the Sky Arts Times Breakthrough Award and longlisted for the Stella Prize and the Bailey’s Women’s Prize for Fiction. She runs Review, a small independent bookshop in Peckham, south London. http://www.eviewyld.com/
Emma Jane Unsworth’s first novel Hungry, the Stars and Everything (Hidden Gem) won a Betty Trask Award from the Society of Authors and was shortlisted for the Portico Prize 2012. Her short story ‘I Arrive First’ was included in The Best British Short Stories 2012 (Salt). She has worked as a journalist, a columnist for The Big Issue, and a barmaid. Her second novel Animals was published by Canongate in May 2014. She’s writing a third novel, as well as the screenplay of Animals, which has been optioned by BAFTA-nominated producer Sarah Brocklehurst and awarded funding by the BFI.