We kick off Pride Month with a great reading list with recommendations by Lucy Pettigrew. Do you have a Pride Month list you would like to share with us? If so, send it in.
In a world where sapphics (women who love women, named after the Ancient Greek poet Sappho) are still brushed under the carpet, I always find it difficult to find new media that discusses wlw relationships and feelings. So, I thought I’d compile my own short list of sapphic books, poetry, films and songs to encourage the consumption of more wlw media. Continue reading “Pride Month Sapphic Media Recommendations by Lucy Pettigrew”
The blog and podcast team behind the Beyond the Walls anthology have written a piece on what they are looking for in their submissions. They also share some tips on which themes you can choose to write about.
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Director Kimberley Sykes combines pantomime, audience interaction, puppetry and musical elements to create a fantastical, almost Brechtian approach to the Royal Shakespeare Company’s current production of As You Like It.
In a final farewell post. soon-to-be graduating student and retiring Words Matter sub-editor Charlotte Stevenson reflects on her undergraduate programme and says goodbye to all the teachers who have taught her.
Terra Two Anthology Launch with special guest Temi Oh
“The note that I took from this morning’s launch was that exploration into exploration of space is often an exploration into the self.” Annice White reflects on the Terra Two Anthology launch earlier this year on 16th March 2019.
As a fan of realist fiction, currently researching fictional representations of the Yorkshire Ripper, I would not call myself a science fiction fan. However, when York Literature Festival advertised their spec-fiction day I thought I’d step out of comfort zone and see what sci-fi is all about.
Thursday 9th May saw the opening of the York International Shakespeare Festival, kicking off with the fantastic performance of ‘All’s Well that Ends Well’ at the Friargate Theatre. Director Paul Burbage provided an interesting and modern take on the performance, in the note from Burbage he said ‘with a little fine-tuning, a surprisingly contemporary voice emerges’ which he succeeded with.
Even before the performance began the take on the performance was very interesting, as the players were introduced to the audience as people working on the set. It was really interesting to be able to see all of the players before the performance actually begun. The set itself was minimalist, yet impressive and immersive. The set consisted of two tables, which moved around the stage periodically as the scenes changed. The seating in the theatre draw the members of the audience in, making everyone feel involved in the performance.