Sci-fic for a realist: ‘we need it now more than ever’. Annice White reflects on the Terra Two Anthology Launch #YorkLiteratureFestival

Terra Two Anthology Launch with special guest Temi Oh

“The note that I took from this morning’s launch was that exploration into exploration of space is often an exploration into the self.” Annice White reflects on the Terra Two Anthology launch earlier this year on 16th March 2019.

As a fan of realist fiction, currently researching fictional representations of the Yorkshire Ripper, I would not call myself a science fiction fan. However, when York Literature Festival advertised their spec-fiction day I thought I’d step out of comfort zone and see what sci-fi is all about.

Before today I had this notion that Sci-fi is about things that don’t or wouldn’t happen. However, as I learnt today, it isn’t that the things in sci-fi aren’t real, it’s that we don’t want them to be. Continue reading “Sci-fic for a realist: ‘we need it now more than ever’. Annice White reflects on the Terra Two Anthology Launch #YorkLiteratureFestival”

All’s Well That Ends Well Review YISF @Friargate Theatre

By Charlotte Crawshaw

Thursday 9th May saw the opening of the York International Shakespeare Festival, kicking off with the fantastic performance of ‘All’s Well that Ends Well’ at the Friargate Theatre. Director Paul Burbage provided an interesting and modern take on the performance, in the note from Burbage  he said ‘with a little fine-tuning, a surprisingly contemporary voice emerges’ which he succeeded with.

            Even before the performance began the take on the performance was very interesting, as the players were introduced to the audience as people working on the set. It was really interesting to be able to see all of the players before the performance actually begun. The set itself was minimalist, yet impressive and immersive. The set consisted of two tables, which moved around the stage periodically as the scenes changed. The seating in the theatre draw the members of the audience in, making everyone feel involved in the performance.

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The Problem with “Social Progress”: LGBT History Should Teach Us To Challenge The Present, Not Assume Everything Is Sorted

Inspired by responses to the recent National Theatre Live production of Cat on a Hot Tin Roof, Adam Kirkbride contemplates the dangers that arise when we assume the problems of the past are no longer visited upon the present.

Continue reading “The Problem with “Social Progress”: LGBT History Should Teach Us To Challenge The Present, Not Assume Everything Is Sorted”

Now That’s What I Call Life on the Literature Programme 2018: A Retrospective (2/3)

This week, as a new year begins, we are taking a look back over the past 12 months and celebrating everything that’s happened here on the Literature programme this year. In this post, we’ll be rounding up the big stories from the blog. We don’t have room to mention them all, but here are the ones that made a real splash on the blog!

Tomorrow  be hearing what you said about your time with us in 2018. 

Continue reading “Now That’s What I Call Life on the Literature Programme 2018: A Retrospective (2/3)”