5. Source material

Bogart, A (2015)  The Role of Storytelling in the Theatre of the Twenty-First Century [Internet] Available at http://howlround.com/the-role-of-storytelling-in-the-theatre-of-the-twenty-first-century [Accessed on 19th May 2018] 

Fischer, J (2009) Our Stories: Essays on Life, Death, and Free Will, Oxford University Press

Lehrer, K (2012) Art, Self and Knowledge, Oxford University Press

Lewis, V (1998) The Dramaturgy of Disability [Internet] Available at https://quod.lib.umich.edu/cgi/t/text/text-idx?cc=mqr;c=mqr;c=mqrarchive;idno=act2080.0037.318;view=text;rgn=main;xc=1;g=mqrg [Accessed on 18th May 2018] 

McCruer, R (2006). Crip Theory: Cultural Signs of Queerness and Disability. New York, NY: Temple University Press

Moustakas, C (1990) Heuristic Research: Design, Methodology, and Applications. Sage

Murtough, P (2018) Collaborations [internet] Available at https://blog.yorksj.ac.uk/paul.murtough/ [Accessed on 16th May 2018] 

(No author/date) [Internet] Available from https://en.oxforddictionaries.com/ [Accessed on 20th May 2018]

Roesner, D (2012) Composed Theatre: Aesthetics, Practices, Processes. University of Chicago Press

Sultan, N (2018) Heuristic Inquiry: Researching Human Experience Holistically. Sage

White, G (2013) Audience Participation in Theatre: Aesthetics of the invitation. Palgrave

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