This year’s Words Matter Prize has been awarded to BA English Literature & Film Student Liam Durbin. The prize recognises outstanding academic achievement by students completing the first year of their degree.
Level Four co-ordinator Dr Fraser Mann says that:
“Liam’s dedication to his studies and his participation in university life are admirable. He has made rapid and remarkable progress in his studies and deserves real recognition for this success.”
On receiving news of the award, Liam said:
“Receiving the Words Matter Prize genuinely means the world to me. A few years ago, just being able to study at university was something that felt beyond me entirely, so to receive this now is simply incredible. I feel endlessly grateful to every lecturer, tutor, friend and family member that have helped get me through university so far. Thank you so much.”
Liam will receive his award during this year’s Words Matter Lecture. We would like to congratulate him on his success and wish him all the best for the rest of his degree
Publicity image for The Tempest by the York Shakespeare Project.
York Shakespeare Project’s The Tempest is touring around North and East Yorkshire between Sept 23rd and Oct 1st 2022, culminating with a special performance at The York Theatre Royal. Book your tickets here.
20 years after YSP began its mission to put on all of Shakespeare’s plays “within the boundaries of the City of York” it marks the end of this ambitious project with its final production, The Tempest. Directed by Philip Parr, who is also artistic director of the York International Shakespeare Festival, it draws on the talents of “local amateur actors, stage managers, technicians, costume and prop makers”, including our very own Effie Warboys in a leading role as Miranda, Prospero’s daughter. Effie, a third year Creative Writing student, took our Shakespeare: Perspectives module last year. Now she is about to make her stage debut on the mainstage of the York Theatre Royal.
“Taking part in the York Shakespeare Project has been beyond a dream,” she said. “Playing
In rehearsal: Effie warboys (right) and Paul French (left
Miranda, Prospero’s daughter, has meant more to me than I could have ever imagined it would, especially with such a strong and talented cast around me.”
Philip Parr explains how important it had been to get the casting of Miranda right: “The York Shakespeare Project had a desire for the actor who plays Miranda to be younger than the project – so, like Effie, to be born after the year 2000.”
I asked Effie what The Tempest was about for her.
She explained that “The Tempest as a show is one about mystery and about family, both loving and dysfunctional, and really about community as a whole – which is what the York Shakespeare Project has also always been about.”
The director, Philip, has a long relationship with community theatre, both in the UK and in continental Europe, which was why he was the ideal choice to direct this “last play”.
“Inclusivity is really important to me and to the York Shakespeare Project,” he said. “Anyone who has previously been in a YSP project was able to be in this final project”. There are many familiar faces for local people, but also new talent, on stage and behind the scenes.
“This production of The Tempest is celebratory,” he continued “It asks important political questions such as who has the right to own land, but it also explores themes of reconciliation and our own self-awareness which is at the heart of Shakespeare’s work.”
The production will be going on tour across North and East Yorkshire prior to a final performance at York Theatre Royal on Saturday 1st October.
David Denbigh, Sonia Di Lorenzo, Henry Fairnington, Jodie Fletcher, Nell Frampton, Paul French, Tony Froud, Emily Hansen, David Harrison, Bronte Hobson, Judith Ireland, Andrew Isherwood, Helen Jarvis, Nick Jones, Stuart Lindsay, Aran Macrae, Michael Maybridge, Sally Maybridge, Sally Mitcham, Andrea Mitchell, Fiona Mozley, Harold Mozley, Janice Newton, Megan Ollerhead, Tracy Rea, Eleanor Royse, Emma Scott, Phyl Smith, Sadie Sorensen, Julie Speedie, Lara Stafford, Harry Summers, Lisa Valentine, Sam Valentine, Effie Warboys, Jacob Ward
Director: Philip Parr Associate Director: Terry Ram
In March this year, students on the Shakespeare: Perspectives module went to see The Northern Broadsides production of As You Like It, directed by Laurie Sansom. Second year student Blythe Roberts reflects on how this production speaks to 21st century ideas of gender and sexuality.
York Theatre Royal, 24th March 2022, Main Stage.
Image 1: Rosalind’s enforced female identity as a form of oppression (Billington, “Rosalind and Celia”)
Through casting a non-binary actor, E M Williams, to play Rosalind, Laurie Sansom’s As You Like It rejects patriarchal constructions of gender and sexuality. A trans-queer interpretation of the play is depicted through Rosalind’s journey of self-discovery, exploring possibilities beyond the female identity enforced upon them, concluding the play with Rosalind’s identification as non-binary. This interpretation creates a radical opposition to the patriarchy, as Rosalind’s rejection of gender constructs creates a liberating queer space where they are no longer confined within patriarchal structures.
Sansom, together with trans-disciplinary artist and designer E M Parry, conveys this trans-queer interpretation through costumes and performance of gender, depicting Rosalind’s trans-journey. In the rigid patriarchal structures of the court, Rosalind’s identity as a woman is presented as a form of oppression (see Image 1). Once Rosalind is alone with Celia, they abruptly conclude their performance of ‘femininity’, using the act of disrobing as a rejection of the identity of an oppressed woman. Sansom uses this refusal to become oppressed within a patriarchal society as the incentive behind Rosalind’s fleeing into the woods and disguising as a man. Continue reading “Northern Broadsides’ As You Like It: A Depiction of Trans-Queer Feminism Through the Casting of Rosalind, by Blythe Roberts”
Andrea Woodward is a York St John English Literature PhD candidate. Andrea, who started her HE journey at 30, could have taken a very different path in life. Here she reflects on her experiences as a returning student, recalling the day as an undergraduate when she thought she would give it all up – and why she didn’t!
I first came to York St John as an undergraduate student in English Literature in 2006. I was 30 years old.
As a mature student who’d spent 15 years out of full-time education, I quickly felt overwhelmed and more than a bit out of place. Those classmates who’d arrived fresh out of college seemed to radiate knowledge in seminars, knowledge that my first essay results suggested to me I didn’t have. After several weeks into the first semester, I felt it would be for the best if I withdrew from the course, believing that I’d never succeed.Continue reading ““Returning” by Andrea Woodward”
Lily Baldanza is a final year undergraduate student who was writing on Daphne Du Maurier’s Revolutionary Women for her dissertation (now submitted). She took a break from her research to tell us about the importance of taking time to focus on wellbeing. These are self-care tips. If you feel that you need wellbeing or mental health support, please contact our lovely Wellbeing team here.
Lily Days.
With my dissertation date in very short sight and my last two undergraduate assessments in a month’s time, it is more important than ever to give myself time off. Time off from my laptop, time off from my set texts and time off from the stress and worry of being a university student. However, with deadlines approaching and having commitments to part time work, finding the time can seem daunting. It’s why one day every week I give myself a ‘me’ day: a ‘lily’ day. I get ready to have a day doing whatever I want to do, and whatever my body needs. This is a day where I take pleasure in doing things that I enjoy. Continue reading “Making Time to Take Time For Yourself by Lily Baldanza”
Adam Kirkbride interviews Katie Godfrey the 2021 York St John Literature Words Matter Prize Winner. The Words Matter prize is given annually to the first year student with the highest marks across all modules. The prize represents our programme motto Words Matter, as a way of centring our philosophy that books and literature play a hugely important role in the world we all live in.
Katie, what does this award mean to you?
As somebody who entered university after a large gap in education, and with very little confidence, this award has made the world of difference to me in terms of boosting my self-confidence and self-belief and reassuring me that my efforts are not wasted!
What was it like completing your first year of study during the Pandemic?
While this is probably not the anticipated response, I actually feel that the remote study during the pandemic enabled me to be more productive. I had already been working from home due to lockdown restrictions, so it was a pretty smooth transition for me. I also commute to university, so having the lectures and seminars online enabled me to save over three hours per day of travel, freeing up my time for reading and studying. Continue reading “YSJ Lit Interview: Words Matter Prize Winner Katie Godfrey”
The Academic Library Liaison for Literature, Katherine Hughes, and Level 5 Coordinator for Literature, Adam J Smith, will be co-delivering a one hour ‘research refresher’ session 2.30-3.30 on Monday 7 March. They will recap everything you need to know to effectively conduct research for Literature assignments including the dissertation.
Final year English Literature student Megan Sales shares her thoughts with us about managing stress.
(c) York St John University
As a literature student, with an obvious love of books, it may seem odd when I tell you that I have never considered reading a ‘self-help’ book. I’ve spent my years with my head stuck in 18th and 19th century books, finding amusement in the way humans work – How much do we change? However, after an intriguing conversation with my Auntie, I found myself reading a psychology book and from there I have moved onto my current read Stress, the Psychology of Managing Pressure by Diane McIntosh. The book itself so far has been an interesting read. I personally love to find out how the mind works but even more than a basic interest, I have found this book genuinely helpful. Here is what I’ve learnt. Continue reading ““Take the Time to Smell the Roses”: Megan Sales discusses Mindfulness in this Busy World”
Adam Kirkbride, postgraduate student on our MA in Contemporary Literature, reflects on our annual departmental Words Matter Lecture. There is a link to the lecture recording at the bottom of this post.
Since coming to York St John, the Words Matter lecture has been something that I look forward to every year without fail. For those who may not be aware, the Words Matter lecture is a staple of the autumn term, an evening of wine, literature, and inspiration where we watch one of the English Literature team deliver a lecture on their current area of research.
Beijing 1993 (c) Saffron Vickers Walkling
This year’s Words Matter lecture was delivered by Dr Saffron Vickers Walkling on the topic of “Hamlet and the Legacy of 1989”. I must confess that before this lecture I was something of a Hamlet-phobe (as Dr Vickers Walkling pointed out, “Hamlet talks about revenging his father for nearly four hours”). Nevertheless, through the magic of the Words Matter lecture, I emerged from the lecture theatre with a newfound appreciation for Shakespeare’s moodiest protagonist.
Dr Vickers Walkling’s interest in political adaptations of Hamlet began in Japan in 1995, when they watched a modern dress, Mandarin Chinese appropriation of Hamlet. This appropriation, first performed five years prior in a period of major political events and economic change, was the beginning of a fascination with politically charged, iconoclastic adaptations of Shakespeare’s most famous play. Across the course of the lecture, Dr Vickers Walkling discussed three adaptations of Hamlet, Lin Zhaohua’s Mandarin Chinese appropriation (1990/1995), Jan Klata’s “H.” (2004/2006), and Sulayman Al Bassam’s “The Al-Hamlet Summit” (2002/2004). Continue reading “The 2021 Words Matter Lecture reviewed by Adam Kirkbride: Dr Saffron Vickers Walkling on Hamlet.”
Recent graduate Tia Clifford sums up some of her dissertation ideas for us in this blogpost.
Fairy-tales: the term itself is attributed to Madame D’Aulnoy, a French writer who coined the term conte de fée in the 17th century (Zipes, P. 222- B).
Dorothea Viehmann: a German storyteller and source for many tales collected and published by the Brothers Grimm
Oral fairy-tales, I contended in my dissertation, were often likely to have been told by women. Noticeably, Jacob and Wilhelm Grimm were given the title of “dignified scholars” after the publication of Children’s and Household Tales, their first revised fairy-tale collection for mass consumption in 1812; however, the lexis originally surrounding fairy-tales, prior to their appropriation by male writers, tended to be negatively gendered as “domestic art”, “women’s art” or “old wives’ tales” (Maria Tatar, P. XVI). I suggested that fairy-tales were initially a form of female rebellion against the patriarchal society oppressing women. Some fairy-tales acted as proto-feminist critiques of patriarchy, but they can also be viewed as survival manuals or as warnings by women for women regarding the dangers of a male-dominated society. In “Little Red Riding Hood”, for example, young girls learn that men are not always what they seem and that deviating from the socially accepted path will lead to danger. Continue reading “Dissertation Corner: Tia Clifford on Fairy Tales for Feminists”
As we begin a new semester, and as some of us begin a new path in life as a university student, Adam Kirkbride reflects on his recent undergraduate studies and the books that inspired him:
This semester I began my MA in Contemporary Literature at York St John University, where I also studied for my BA in English Literature. I’ll be completing my MA on a part-time basis, so by the time I hand in my MA dissertation, I will have been at YSJ for five years.
So, I felt now was a good time to stop and reflect on my previous studies, and I’m writing this down because it will help me to remember what I have learned in the years to come. Over the past three years the texts that I studied have helped to shape my views on literature, politics, representation and so much more. Reading is, in my opinion, the best way to educate or entertain yourself in an age of turmoil. And if I get to the end of writing this post without developing an overwhelming desire to read all of these books again, then I will be shocked!
The freedom and independence to pick and choose texts, topics, and modules on my degree was by far the feature that I enjoyed most. I rarely came across a text I disliked, and not once did I have to write about a text which truly bored me with no redeeming factors. Creativity and the study of literature go hand in hand, so it is important when reading to engage with texts that pique your interest and inspire originality. These ten books have nurtured my head and my heart throughout my degree, and I know that I am a better person for having read them. I can only hope that the texts I will read over the next two years will have the same impact on me. Continue reading “The Top 10 Books Studied on English Literature! (According to a recent graduate) by Adam Kirkbride (he/him)”
As we are now able to meet with friends, sit in a café, or go to a film, Brooke Williamson looks back on her “comfort viewing” at the beginning of the year when we were at the height of a lockdown. It seems a fitting reflection in Pride season and when we are still thanking our NHS for their work in a difficult time. Here’s to rainbows and hope!
The Masked Singer Season 2 (c) ITV
During lockdown it was easy to be a victim of Saturday night television, and I for one know, having been completely sucked into ITV’s primetime The Masked Singer UK back in February. The idea of the show, for those who escaped the tension and suspense, was that 12 celebrities transformed themselves by hiding their identity behind a creature or animal and performed songs, whilst battling it out to retain their mask – and consequently, keep their identity a secret. From the photograph of this series’ contestants there was one character, in particular, that caught my attention. This was the Dragon, who was later unmasked as Sue Perkins of The Great British Bake-Off.Continue reading “Rainbows of Hope: Brooke Williamson reflects on The Masked Singer”
In this post by one of our YSJ literature students, Ripley Cook, they explain how lockdown helped them understand their neurodiversity and their gender identity.
The non-binary flag via Stonewall
For most of my life I can honestly say that I was never comfortable in my own body. I put it down to a lot of different reasons: how men perceived me and the sexism that came with that, basic insecurities, and the bullying I experienced because of my appearance in high school. It never occurred to me that it was more than that, at least not until lockdown. Continue reading “How Did Lockdown Help Me Come Out As Non-Binary? by Ripley Cook for Trans Day of Visibility”
As human beings, we have a tendency to look back at our history and compare it to what is happening in the present. This, by and large, is a fairly good thing. We get to learn from our past mistakes and exorcise the ghosts that haunt our cultural memory. However, the recent tendency to compare the COVID19 pandemic to the AIDS crisis is, I believe, a tendency that is rooted in ignorance. Continue reading “Mask 4 Mask: Should we really be comparing COVID and AIDS? by Adam Kirkbride for LGBT History Month”
There’s still time to catch some brilliant LGBT+ History Month activities in the area before the end of February!Emily Balmer, our YSJSU LGBTQ+ Liberation Officer, has been sharing stories, advice and resources all month. Find all of her LGBT+ History Month posts on Facebook.
Jane Speck is in conversation with members of the YSJ LGBTQ+ community. In her latest video, Jane chats to Director of International and LGBT+ staff network chair, Phill Gray. Listen to his take on spirituality and religion in relation to LGBTQ+ issues as he reflects on his own journey. Catch Jane’s other conversations with Helen Sauntson and Saffron Vickers Walkling here.
And check out this brilliant graphic which tracks Google searches for popular LGBT+ figures. It was made by Pierre-Philippe – one of our Senior Lecturers in Mathematical Sciences and LGBT+ Staff Network steering group member.
Outside Event:
Matthew Todd: LGBTQ+ Mental Health
YUSU LGBTQ+ and Matthew Todd
Friday 26 February, 6:00pm
Multi-award winning author Matthew Todd will join YUSU LGBTQ+ to give a talk on mental health within the LGBTQ+ community, followed by a Q&A session. Full details on the YUSU website.
Film Student Liam Durbin. The prize recognises outstanding academic achievement by students completing the first year of their degree.
