creative writing opportunity: the poetry show

YSJU graduate Beth Cairns has been in touch to advertise an exciting opportunity to current students. Beth now works for York’s library service, Explore York, and writes:

On Thursday 28th September we will be hosting Rose Drew and Alan Gillott from The Poetry Show podcast. They will be recording an edition of podcast in Acomb Library, and will be inviting people to read a poem for it.  If any students would like an opportunity to share their work please let us know and come along from 3pm.

All budding writers, from Literature and the Creative Writing programmes, are encouraged to contact Beth and get themselves to Acomb library if interested.

student opportunity: join a live reading of the play volpone

Adam Smith is looking for performers to help him stage an informal dramatic reading of Ben Jonson’s 1606 play, Volpone, which is to be studied by first year students this semester.

volpone

“This bawdy, provocative and frankly vicious play follows the Machiavellian Volpone and his parasitic side-kick Mosca as they con and connive their way through renaissance Venice. Filled with razor sharp wit and cutting insults, Jonson’s play is and exciting, darkly comic and haunting tale, which I hope you might consider helping me bring to life in Week 5.

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big summer read: a really radical mary?

This summer, the York St John Literature programme invited students and staff to read and respond to Colm Tóibín’s 2012 novella The Testament of Mary, a study of the mother of Jesus of Nazareth as she comes to terms with her son’s crucifixion at hands of the Roman Empire. In this post, Chris Maunder critiques Tóibín’s conservatism and points to more radical challenges to the Cult of Mary.


By Chris Maunder

I started this book with some relish. For many years, I have been a researcher of the cult of the Virgin Mary; I have written one book, edited another, written several articles on the topic, and there are more publications to come. I particularly like provocative work about Mary that is prepared to undermine some of the old myths: controversial feminist academics like Jane Schaberg and Mary Daly, for example, or authors of novels on Mary such as Michèle Roberts. I once introduced Dutch feminist Els Maeckelberghe’s Desperately Seeking Mary to a group of Catholic deacons in training; it so upset them that they refused to engage with it. I wasn’t invited back to speak the next year! I am by no means averse to upsetting the status quo. So why was I so disappointed with The Testament of Mary? Continue reading “big summer read: a really radical mary?”

join the team!

We are looking for first year, second year, and third students to join our blog team at Point Zero. These exciting extra-curricular roles are ideally suited to students who are considering careers in writing, journalism, or publishing or who simply have a passion for words and literature. The team, working under the guidance of our academic blog team (Dr Janine Bradbury, Dr Alex Beaumont, and Dr Adam Smith) will meet several times over the year to curate content and there will be an expectation that you will be prepared to be a regular and reliable contributor to this site.

Please email Dr Alex Beaumont (a.beaumont@yorksj.ac.uk) to express an interest by Wednesday of Week 2 (27th September 2017) if you would like to join us!

open call for contributions: autumn semester 2017-18

This semester we are issuing an open call for contributions to Point Zero that fall under the broad theme of ‘global literature’. We are especially interested in:

  • book reviews
  • pieces by study abroad/returning study abroad students

Please send your submissions of no more than 1000 words to Janine Bradbury (j.bradbury@yorksj.ac.uk). We are unable to publish all submissions, and submissions may be subject to minor editing for length and tone. We will be accepting submissions until Week 12 of Semester 1.

big summer read: mary rewrites jesus of nazareth

This summer, the York St John Literature programme invited students and staff to read and respond to Colm Tóibín’s 2012 novella The Testament of Mary, a study of the mother of Jesus of Nazareth as she comes to terms with her son’s crucifixion at hands of the Roman Empire. Building upon Adam’s post yesterday, here Nicoletta Peddis explores the power of testament to subvert and undermine our perception of  a major biblical character.


By Nicoletta Peddis

Testament (n.) late 13c.: “last will disposing of property,” from Latin testamentum “a last will, publication of a will,” from testari “make a will, be witness to,” from testis “witness.” Used in reference to the two divisions of the Bible (early 14c) (…) subsequently was interpreted as Christ’s “last will.” (from Online Etymology Dictionary).

In the Gospels, the Virgin Mary is the personification of grace and suffering, the mater dolorosa who is largely voiceless. We know little about her, except for her virginity and her grief. Colm Tóibín’s short novel The Testament of Mary gives voice to Mary, subverting the traditional representation of Jesus’s mother and at the same time expanding the definition of the term testament. The Testament of Mary is her giving witness to, her attestation; “I was there,” she says. The fictional portrait that Tóibín creates of Mary breaks with tradition to deepen her humanity and to bring her down to earth, trying to understand her as a suffering woman and as a mother afflicted with a difficult son. Continue reading “big summer read: mary rewrites jesus of nazareth”

photo gallery: literature and creative writing celebration evening

The Literature and Creative Writing teams wish their graduating students of 2017 all the very best for the future!

On 26th May, the Literature and Creative Writing programmes hosted a celebration evening for their graduating students.

The evening featured speeches by Subject Directors Abi Curtis (Creative Writing) and Anne-Marie Evans (Literature), YSJU alumna and editor of Aesthetica magazine Cherie Frederico, and award-winning students from the class of 2017.

For a full gallery of images follow the ‘continue reading’ link below:

 

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Everything is Possible / Constance and Eva: An Interview with Kimberly Campanello

By Bethany Davies

Kimberly Campanello is Lecturer in Creative Writing at York St John University, where she is currently developing a play called Constance and Eva. The play tells the stories of Constance Markiewicz and Eva Gore-Booth, two Anglo-Irish sisters who were active in the campaign for women’s suffrage. Constance and Eva, directed by Luke Davies, will be staged between 17th and 27th September at the Bread and Roses Theatre, London (tickets here). Bethany Davies, whose review of the recent York Theatre Royal production Everything is Possible is available here, caught up with Kimberly to discuss the project and examine the contemporary importance of the suffragettes.

Continue reading “Everything is Possible / Constance and Eva: An Interview with Kimberly Campanello”

Everything is Possible: An Interview with Lydia Crosland

By Nicoletta Peddis

Lydia Crosland was part of the cast of Everything is Possible, the story of York Suffragettes (review here). She also happens to be a student at York St. John University, where she studies English Literature and History. She has been a part of West Yorkshire Playhouse’s Youth Theatre since its inauguration and she is currently working as an assistant for York Thetare Royal’s Youth Theatre. Lydia’s next project is Amphibious for the Takeover Festival 2017, which will take place at the Theatre Royal between 23rd and 28th October. I met her to ask her some questions about her experience in the community project but also about her opinions on some of the issues portrayed in the show.

Continue reading “Everything is Possible: An Interview with Lydia Crosland”

Review: Everything is Possible at York Theatre Royal

By Bethany Davies and Nicoletta Peddis

Everything is Possible, the story of York Suffragettes, took place at Theatre Royal from the 20th of June until the 1st of July. Directed by Julie Foster and Katie Posner and written by Bridget Foreman, it celebrates the successes and commemorates the suffering of the suffragettes in York between 1912 and 1918. The play rotates around the central character of Annie Seymour Pearson (Barbara Marten), York’s only suffragette ever to be arrested. Apart from Marten, the only professional actor in the cast, Pilot Theatre realized a large-scaled community project involving 150 people.

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