Students from Masters programmes in Applied Theatre, Music Composition and Theatre & Performance spent the weekend of the 21st and 22nd Sept in the Yorkshire Dales on the 4th MA Away Weekend.
The weekends are a chance for postgraduate students from different disciplines to meet and work together in the barn, field and hillside and away from studio or seminar room. We engaged in long walks, hard thoughts, endless conversation and good food.
As part of Welcome Week 2013 our Level 2 and Level 3 Theatre Students baked a whole host of cakes, flans and treats to welcome our new Level 1 Students. Who knew theatre students were such good bakers, a great start to this academic term.
“We’ve lost the beautiful words.”
In an abandoned space where nobody goes, three performers stand silently on stage, anticipating an audience. They’re ill rehearsed, they can’t find the words, and though they’re not ready to show, it must go on.
Tick-tock goes the clock. We’re sorry. So very, very sorry. Ladies and Gentlemen…’Three'”
Thursday 19th September 2012
2:00pm in Theatre 1
Written by Level 2 Students Benjamin Rosenfield, Charlotte Goodlad and Jonathan Curd. Performed by Mikhail Lim, Charlotte Goodlad and Jonathan Curd. ‘Three’ Combining the influences of Samuel Beckett, the Rat Pack and Dr. Suess, ‘Three’ is an intertextual performance that plays with the nonsensical phono-aesthetics of every-day language and 1950’s pop culture.
The Raft of the Medusa
The fourth tour of The Raft of the Medusa since its creation in 2006 by The Company of Teachers (four Drama and English teachers working in collaboration with the Blahs and Rotherham LEA) will be performed at York St John University on Monday 14th October.
A participatory performance based on Theodore Gericault’s masterpiece of the same title which hangs in the Louvre gallery in Paris, exploring the story behind the painting.
In 1816 the Medusa led a small fleet of French ships, loaded with soldiers and settlers, on a colonial expedition to Senegal in West Africa. Just a dozen miles from the Senegalese shore the Medusa ran aground on a sandbank. Lifeboats and small crafts could provide safe passage for the fortunate or the powerful. But for some 149 men and one woman there was no immediate rescue. In a daring and desperate endeavour to save their lives, they used the timbers of the stricken Medusa to build a huge raft that might be towed to safety. Twelve days later just 15 survivors landed on the coast of Africa.
What had happened during those days on the raft? Why had so many perished? Was this a story of bravery and triumph… or was it one of desperation and savagery? As the emerging story of the raft of the Medusa stunned the French public, the artist Gericault began work on a masterpiece that was to shock French society and outrage the artistic establishment.
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You can find more information on our Undergraduate BA Programme here, information on our MA in Performance here, read the latest issue of our course magazine Theatre Pages here.